Black Swan is one of the most unique films I’ve seen in a very long time. It’s a well crafted, menacingly dark, vividly imaginative movie that coasts on a strong central performance from Natalie Portman and some voyeuristic direction from Darren Aronofsky.
The movie follows Nina (Portman), a young prodigy ballet dancer getting the biggest break of her career as the lead in a newly-imagined version of “Swan Lake”. It’s a pretty simple film, but one that handles the simplicity with such boldness that the film evolves into one of the most finely crafted films of the year.
Hollywood produces, on average, about one boxing movie a year. Boxing. This year’s installment, The Fighter, might just be the best one ever. And yes, I know it’s lame to proclaim that after seeing a movie once, but The Fighter packs a hell of a punch all around, and also boasts 2010’s best performance: an enigmatic turn from Christian Bale as boxing prodigy/crack addict Dicky Eklund, while also elevating itself as being traditional, and unique, at the same time.
True Grittakes a unique approach to the modern western, trading in the traditional solemn, dry, overly serious tone for a darkly comedic, impeccably acted one that really allows it to differentiate itself among its peers in the genre as a film that bucks trends rather than embrace the status quo.
